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Clothbound editions of Columbia University Press books are Smyth- sewn and printed on permanent and durable acid-free paper. Contents Translator's Note vii I. Approaching Abjection i 2. Something To Be Scared Of 32 3-From Filth to Defilement 56 4-Semiotics of Biblical Abomination 90File Size: KB Book Source: Digital Library of India Item blogger.comioned: blogger.comble Download Free PDF. Download Free PDF. Michel Chion: Film, a sound art (Translated by Claudia Gorbman). New York: Columbia University Press. MedieKultur, Martin Knakkergaard. Download PDF. Download Full PDF Package. This paper. A short summary of this paper. 32 Full PDFs related to this paper
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Download PDF Download Full PDF Package This paper. A short summary of this paper. MedieKultur Journal of media and communication research ISSN Book Review Michel Chion: Film, a sound art Translated by Claudia Gorbman.
dk The online version of this text columbia university press free download pdf be found open access at www. dk Since the beginning of the s, French film music theorist and composer Michel Chion has stood out as an author with his original and interesting texts on sound in film.
His think- ing and concepts have proven highly influential and have become widely acknowledged, but at the same time, his writing has often been criticised for being idiosyncratic and gen- erally short of stringent theoretical anchoring.
Regarding the latter, Film, A Sound Art is no exception. However, this is how it must — and should — be, given that the book is not as much about theory as it is an introduction to film history and technique and to a veritable complex columbia university press free download pdf forms of understandings. Film, A Sound Art is organised into two main parts — History, pp. Part One is a chronologically organised discussion of film history with particular atten- tion paid to the significance of sound or, rather, the position of sounds in film.
However, the ten chapters in this part of the book utilise different thematic approaches, columbia university press free download pdf, successfully including overarching discussions in which an epoch and its general characteristics are in focus, chapters in which the focus revolves around biographical, structural or genre-specific items, and chapters that are disposed more towards technical and technological develop- ments and achievements.
Whereas the first part is organised according to historical progression, focusing on epochs, inventions and shifts, the second part, including sixteen chapters, is systemati- cally structured on the basis of selected forms, techniques and means related to sound in film.
This disposition seems relevant and felicitous at the same time. To a certain degree, the second part builds an anthology of articles that examines and describes subjects and questions about the use of audio-visual means of expression in film. As such, the individual chapters are dedicated to specific subjects, dealt with in a more or less isolated fashion, columbia university press free download pdf, and which all include an impressive amount of examples.
On their own, the chapters are inter- esting and inspiring and, every now and then, one feels a strong encouragement to hurry down to the local library in order to borrow a particular film.
Both of these main parts are interposed with character-centred breaks of almost bio- graphical observance. The Italians are well represented too, but there is a dearth of examples from, for instance, British and German film even though Chion is obviously aware of the great and lasting influence of film-makers from these countries. For someone who is not familiar with French film and its cinematic history, it could be difficult to see and hear the examples with an inner eye and ear.
However, Chion is very good at description and bring- ing film scenes to life. The book is filled with original observations. Thus, the strength of the book is not its originality — at least not within the discourse already established by Chion — but rather its thoroughly exemplified discussions. It is very pleasant and engaging — and in our time, it is a great exception to find that the person behind the text is so easily felt and always seems to be present.
But precisely herein lies its greatest weakness. It is highly peculiar that Chion — or the editor — has not chosen to disguise the many examples as notes, because they only serve to substantiate that one or another analytical point is not just idiographically but also nomothetically valid.
As the book progresses, this element becomes more and more annoying and it is almost damaging to the second part, which loses much momentum and rhythm because of this. The composite second part, however, does not invite continuous reading in the same way. Instead, its chapters can be used and read as separate articles without any loss. The book is also in another sense highly personal. In this respect, Film, A Sound Art is not really an introduction to the field and its prominent concepts and sources.
Other writers are mentioned, although generally just ephemerally and typically solely to columbia university press free download pdf or question a certain point or notion. This is not the case and, regrettably, the entries are also not included in the separate, and otherwise extensive, index.
By itself, the glossary is not complete. Searching for certain references is fruitless even though they appear in the main text e. It is a shame that the references in the index are imprecise e. Its strength is its readability and enormous empirical founda- tion.
Its weaknesses are its lack of theoretical explication and stringency, its failure to inte- grate other theoretical fields and, not least, its lack of references to other works and theories on sound in audio-visual media, columbia university press free download pdf.
Department of Communication and Psychology Aalborg University, Denmark mk hum. dk Related Papers Michel Chion: Film, A Sound Art.
Essential Brakhage: Selected Writings on Filmmaking By Liza Palmer, columbia university press free download pdf. Soundtrack Analysis of Reha Erdem Films; Hayat Var, Kosmos, Jin By Gurur Asi. Chris Berry, Lu1 Xinyu, Lisa Rofel eds. International Film Studies Journal. Download pdf. About Press Blog People Papers Job Board Advertise We're Hiring! Help Center Find new research papers in: Physics Chemistry Biology Health Sciences Ecology Earth Sciences Cognitive Science Mathematics Computer Science Terms Privacy Copyright Academia ©
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Book Source: Digital Library of India Item blogger.comioned: blogger.comble Download Free PDF. Download Free PDF. Michel Chion: Film, a sound art (Translated by Claudia Gorbman). New York: Columbia University Press. MedieKultur, Martin Knakkergaard. Download PDF. Download Full PDF Package. This paper. A short summary of this paper. 32 Full PDFs related to this paper Jun 01, · Announcing the Columbia University Press Fall Catalog (May 20, ) Dear Readers, As we cautiously look forward to emerging from the pandemic, the books announced in this season’s catalog help us take stock of what we have learned and
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